• The new GFX100RF is Fujifilm’s first fixed lens medium-format camera
• It has a 102MP sensor, 35mm f/4 lens and premium rangefinder-style design
• Sales start early April (TBC), list price is $4,899 / £4,699 / AU$8,799

Compact cameras are all the rage right now, and while calling the new Fujifilm GFX100RF ‘compact’ is a bit of a stretch, its 102MP medium-format sensor is the biggest and highest-resolution for a camera of this kind. Premium is an understatement, plus the rangefinder-style camera looks the part too.

Fujifilm summed up the GFX100RF concept in a teaser video ahead of its launch, suggesting that the premium compact combines elements of the popular Fujifilm X100VI compact and the GFX100S II mirrorless camera.

This is the smallest and lightest Fujifilm medium-format camera yet and it includes a lens. It’s similar in size to the X100VI but a fair bit deeper, in order to house the same 102MP sensor utilized by the GFX100S II, plus a fixed 35mm f/4 lens. That equates to a 28mm focal length in full-frame terms – ideal for everyday and street photography.

Then there’s the top plate machined from a single 500g block of aluminum – a similar quality and process to the Sigma BF. Its feel and potential durability is a dream for camera lovers.

I’ll unpack the handling of the camera shortly, but my brief hands-on with the GFX100RF at Fujifilm’s House of Photography in London ahead of its announcement was enough time to convince me of the camera’s quality.

The Fujifilm GFX100RF costs $4,899 / £4,699 / AU$8,799 and comes with a premium strap, square lens hood, adapter ring and a protective lens filter. While it may seem expensive, that price is lower than the smaller-format Leica Q3‘s; the camera that holds the position of top premium pick in our best compact cameras buying guide ( ….for now).

The right format?

The new GFX100RF has X100-series looks, in a deeper body housing medium-format tech. I haven’t taken any pictures with the new camera yet, but I have reviewed the GFX100S II and GFX100 II, and know just how good image quality is – though the new lens is unknown to me.

That sensor quality being paired with a fine-tuned fixed lens, and packed into a smaller-than-ever body (weighing just 735g, with battery and card), is seriously impressive. The concept actually makes a lot of sense, as do some unusual design touches.

With 102MP pixels to play with, an aspect ratio dial debuts, plus a lever for a digital crop – these take prominent positions on the top plate. Like the 61MP Leica Q3, the digital crop is really usable for the fixed lens, emulating 36mm, 50mm and 63mm focal lengths, at a reduced resolution for JPEGs.

Likewise, there’s a wide choice of aspect ratios, including panoramic, with a handy ‘Surround View’ semi-transparent guide that marks the cropped out area. Shoot in raw & JPEG format, and the raw file keeps the full 102MP resolution.

Every control feels premium and built to last, including the shutter speed / ISO dial, aspect ratio and a stack that includes the crop lever, a command dial and on/off switch.

The lens feels great too, with its aperture ring and easy rotation. It features a leaf shutter which makes a handy 4-stop built-in ND filter possible, plus it has a positive impact on battery life: the GFX100RF uses the same unit as the X-T5 and other Fujifilm cameras, yet is rated for 820-shots.

Burst shooting tops out at 6fps for sequences up to 296 JPEGs or 40 raws – not bad for a 102MP camera – while the maximum video resolution is 4K 30p 4:2:2 10-bit, but is supported by an impressive range of video features. This is, however, a photographer’s camera first.

Like the X100-series of cameras, the GFX100RF is only dust and splash-proof with the included adapter ring and protective filter attached. The 3.2-inch, 2.1m-dot tilt touchscreen is also the same type as found in the X100VI.

Other inherited components include the 5.76m-dot EVF from the GFX100S II. Personally I’m disappointed that Fujifilm didn’t opt for the hybrid viewfinder used by the X100-series because I’m a big fan of the optical display.

There’s also no sensor based image stabilization (IBIS), just a digital IS for video. That, combined with the lens’ relatively slow f/4 maximum aperture and limited light gathering capabilities are the biggest drawbacks that I can see from my quick hands-on – necessary compromises for the larger sensor format / compact lens size.

Overall, I’m super impressed by the Fujifilm GFX100RF and I can’t wait to have a longer period of time with the camera to really get a feel for it. Has the Leica Q3 met its match? Possibly, though there are medium-format drawbacks. Stay tuned for my full review and verdict.

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Tim is the Cameras editor at TechRadar. He has enjoyed more than 15 years in the photo video industry with most of those in the world of tech journalism. During his time as Deputy Technical Editor with Amateur Photographer, as a freelancer and consequently editor at Tech Radar, Tim has developed a deeply technical knowledge and practical experience with cameras, educating others through news, reviews and features. He’s also worked in video production for Studio 44 with clients including Canon, and volunteers his spare time to consult a non-profit, diverse stories team based in Nairobi. Tim is curious, a keen creative, avid footballer and runner, and moderate flat white drinker who has lived in Kenya and believes we have much to enjoy and learn from each other.